Availability: Usually ships in 3-4 weeks.
 
21.5“ 1500nits Sunlight View
1920×1080 IPS Panel of 10-bit process
The K21 field production monitor, equipped with a brilliant 21.5” FHD 1500nits high-brightness display, ensures clearly visible even under direct sunlight. With durable all-aluminum housing, screen protective glass, and rubber covers on the 4 corners, the K21 offers comprehensive protection against the elements and accidental impacts.
 
Rubber Corners Protection
With durable all-aluminum housing, screen protective glass and rubber covers on the 4 corners, the K21 offers comprehensive protection against the elements and accidental impacts.
 
Screen Protective Glass
The K21 monitor provides a high-transparency screen protective glass, clear and solid. It features four non-detachable screws, allowing for easy installation and removal without any tools.
 
Flight Case Option
The K21 monitor offers the option of a flight case version, designed for comprehensive protection during director's monitoring. The flight case provides 2× Cheese Plates on the top side, for mounting accessories like wireless Rx.
 
Interfaces
The K21 monitor provides:
3G-SDI 2 inputs; 2 loop outputs;
4K-HDMI 1.4 input;
USB-A Firmware and User Lut input;
USB-C calibration probe input;
AC 100-240V power input;
DC 11-17V 4-pin XLR input;
V-mount battery plate input.
 
C-stand Adaptor & Cheese boards
Standard Accessories in Package
The K21 monitor comes standard with 2× cheese boards to accommodate accessories like wireless video receivers. The cheese boards can be detachably mounted in 5 different positions on the back and sides. Additionally, the K21 also includes a VESA to C-stand Adaptor, making it incredibly convenient for video production crews to mount on a C-stand light stand for monitoring in various shooting environments.
 
Flight Case C-stand Setup
The K21 monitor flight case option includes an adjustable angle VESA to C-stand adaptor, which allows for easy installation and can be stored in the flight case without removing from the monitor.
 
SCENE OS Operation
The unique Scene OS operating system offers unparalleled customization and flexibility for field production monitoring. This system allows users to create up to 8 customizable Scenes, and within each Scene, users can define 8 shortcuts of the monitor tools, for quick access to essential tools and swift Scene transitions. This feature streamlines workflows and enhances the creative process by providing instant access to the most-used functions.
 
Delog and User LUT Upload
The K21 monitor has built-in a variety of Delog LUTs from camera manufacturers including ARRI, RED, SONY, Canon, BMD, Panasonic, Nikon, and Fuji, supports Gamma 2.2/2.4 /2.6 SDR and HLG/PQ HDR. The monitor also supports up to 10x User 3DLUTs upload via USB.
 
Auto Calibration within 2 mins
     By X-rite CC Display Pro HL Probe[Buy]
The K21 monitor supports fully automatic color calibration without a computer connection. Use the X-rite CC Display Pro HL Probe, connect to the monitor's rear USB-C port, and simply by menu operating, you can initiate the automatic 3DLUT color calibration process, which is completed in just 2 minutes.
 
Custom Aspect Ratio
The K21 monitor supports the customization of any aspect ratio for composition guides, allowing you to mark any desired aspect ratio required for your video project on a 16:9 screen.
 
Custom False Color Range
The K21 monitor supports custom False Color exposure ranges, allowing you to set exposure parameters for Black Clip, Near Black, White Clip, Near White, Tone1 range, and Tone2 range, to ensure precise exposure control.
 
Anamorphic De-squeeze
K21 supports Anamorphic lens correction at magnification factors of 1.33x, 1.4x, 1.5x, 1.6x, 1.8x, 1.9x, and 2x for cinematographers to correct the unique horizontal squeeze and aspect ratio distortions in real-time.
 
Adjustable Zebra Stripes
The K21 monitor offers the flexibility to customize exposure settings by allowing users to define their own overexposure and underexposure areas. With this tool, you can accurately define what constitutes overexposed and underexposed areas in your footage. The monitor displays blue/white zebra stripes for overexposure and black/white zebra stripes for underexposure.